Almost no one considers t-shirts as sophisticated as formal shirts. Because they make bold statements and are ubiquitous, affordable, easy to wash and even disposable. But in the world of embroidery, the light fabric of a T-shirt makes it a delicate fabric. For embroideries, fragile and light stitches should be handled with the right design, the correct, tested thread, and the smallest possible needle which is also good when you gonna digitize logo for embroidery. With the right technique, the end result will be amazing. Ignoring the properties of lightweight materials can be disastrous, with consequences such as wrinkling, warping, and unrecordable designs.
See the tips below to avoid these results.
Design Choice
One of the reasons why so many people “live” in t-shirts is because of the level of comfort they provide. This modern clothing is not meant to be easily moved and lost. Embroidering heavy designs with too many fill stitches can confuse light garments. Remember that when embroidering designs on any fabric, the weight of the thread and the density of stitches tend to pull the fabric inward. The result is a light clothing design that has wrinkles or is predominant.
This internal stretch is counteracted by clamping the garment before sewing. But the first step is to choose the right design. Consider the number and type of points. Running stitches are less important than fill or satin stitches. The loose fit and open space allow the fabric to show through and maintain a light and airy feel. The compact model – which takes up little space in clothes – will be used for upholstery without removing the softness of the fabric and the high level of comfort. Often, reduced stitching can be incorporated into the design to secure it, prevent leaks, and reduce seams. The sewing sequence must be carefully planned to minimize jump points and the necessary cuts they create.
Fabric Considerations
There are big, bold, slim and cool t-shirts. As some shirts are for work, others for the beach or cruises. Some are made of 100% cotton, and others are blended with polyester. Some use a heavy wash with water and bleach, while others prefer to wash their hands gently. In general, there is no difference in the composition of the texture of the shirts during the embroidery process, unlike screen printing, where the inks respond differently to cotton and polyester. For embroidery, the thickness and stability of fabric determine the designer’s settings and many options along the way.
Needle and Thread for Embroidery
This high-quality general-purpose needle and 0-weight thread of embroidery thread – rayon or polyester – is perfect for any combination and lightweight fabric. Choose the polyester thread when adding embroidery to high-wear shirts that can be washed with commercial bleach. While the natural fibers in premium rayon yarns can withstand water temperatures up to 203 degrees Fahrenheit, only 100% polyester yarns are guaranteed to resist bleaching. In addition to the usual heavy thread of 0 grams, creative embroiderers can use special threads to create light designs. Use thin 60-weight fine thread for small letters or fine details, metallic thread for impact, matte thread for shading, or fire-resistant thread for safety on t-shirts.
It can be added to shirts depending on the features of the shirt expert embroiderers can create popular 3D embroidery effects. Always embroider on knitted pieces with a ballpoint needle. The rounded end will pierce the fabric between the threads of the fibers instead of piercing them.
Like threads of different weights, needles come in different sizes to suit. Always choose the smallest needle recommended by the thread manufacturer. Although a standard 0-weight yarn is suitable for needle sizes #65/9, #70/10, or #75/11, choose a smaller needle for light knitting because the hole the needle makes when it enters the fabric is very small as possible.
Stabilizing
Consider lightweight when choosing the right stapler or stabilizer for a lightweight fabric. Fasteners that are too heavy and overload the part can cause more problems. The die-cut backing provides optimal stability and will not distort the design when excess is removed. Weblon (also known as Weblon No Show) is a popular lightweight knit support; Available in white, black, and beige, And it feels soft on the skin. The slim, low-profile Weblon is made from waffle nylon and won’t show when worn over the lightest knit sweater.
Other popular fasteners for light fabrics include a fine weave hole, which is strong but gentle on the skin, and a stonewashed hole, which dissolves in the wash water. Determines whether the garment will rely on stabilizers to maintain its shape over time; Otherwise, the balanced washed clothes will not keep their shape after washing several times. Tear Away Waffle is another backing designed for lightweight knits. It is light against the skin, does not prick and break easily, and has little pressure on delicate tissues. Some of these fasteners are available in iron-on versions, so they only stick to where the design is sewn, not to the garment.
Hooping
The embroidery hoop is used with the backing of your choice to secure the garment you are embroidering. Light mesh shirts should be hung on a hanger so the garment and lining lie flat on the hanger without stretching. Some embroiderers call this “tension neutral” and choose a magnetic frame that places the piece between two magnetic metal frames and requires no pressure to hold the piece. Whichever type of loop you choose, remember not to over-tighten the knit; Otherwise, the garment will wrinkle around the pattern as it loosens.
Yes, you can!
T-shirts are traditionally considered to be the field of screen printing, while golf shirts belong to embroidery. But as high-quality fabrics and supplies and fashion trends continue to push boundaries, so does embroidery. Don’t be afraid of the lightness of a knit top. Digital guru Eric Campbell found inspiration in an olive green Gildan Ultra Cotton (heavy knit) shirt. “For me, there is nothing more wonderful than the three dimensions of embroidery and the effect of light passing through the thread,” he says. “This means I’m always asking for layers, sculptural textures, and the natural look of yarn to enhance my designs while you digitize logo for embroidery. In ‘Dream Big, Stay Bold,’ the light, open fill adds texture to the backplane, while all the letters add the frame.
The frame is raised to create shadows and reflections using classic techniques. I hope this piece will remind us of the old engraved marks and facets or the past hand-painted glass panels of doodling machines. It will make customers announce that they have been able to achieve for you what others thought was impossible for them.